1935 JAMES DOOLITTLE Steel Building Metal Stud. Architecture Industrial Photo Gravure Art 12x16. Since 1989 - The Name You Can Trust For Fine Vintage Photogravures, Photographs & Antique Prints. Serving the Design & Decor trades for over 20 years.
See our vintage and original prints featured in. And other fine quality publications. WE LIST DOZENS OF NEW ARRIVALS EVERY DAY! Where you can search our World Class Selection of authentic vintage prints by photographer or subject. Browse THOUSANDS of fine vintage photography prints from silver gelatin to photogravure. This Vintage 1935 Photogravure Comes Professionally Dry Mounted On White 12 x 16 inch Acid Free Museum Mat Board & Is Ready To Place In A Standard Size Frame. Date Of Negative: Circa early 1930's Type Of Print: Vintage Sheet Fed Photogravure/Heliogravure. Date Of Print: 1935 Printmaker/Engraver: The Beck Engraving Company, Philadelphia & New York. Paper: Medium/Light weight, matte finish (Dill & Collins) Print Origin: U. Approximate Image Size: 10.75 x 8.25 inches Mount Board Size: 12 x 16 inches Print Border: No - full bleed print. Condition Grade: Fine + + Verso: Professionally dry mounted with archival materials on 4ply museum mat board. Registered Vintage Archive Serial #. C ertificate Of Authenticity (COA): Yes - Gallery Certified COA from Fine Photo Galleries. Yes - tamper proof hologram certification affixed to print mount verso and COA. Finephoto is pleased to offer an authentic, genuine (NOT a computer scanned reprint) vintage 1935 photogravure (also known as héliogravure print) produced from the original negative/print of the listed photographer. This sheet fed photogravure print was printed in sheet fed photogravure by the highly regarded Beck Engraving Company of Philadelphia, Pennsylvania. Whether you collect vintage photogravure prints or are simply looking for extraordinary home or business decor, this atmospheric photogravure will frame and display beautifully! This photogravure plate is guaranteed to be authentic and comes with a hand signed CERTIFICATE OF AUTHENTICITY (COA) with unique individual registered serial number from the Finephoto Vintage Archive & Database. Under magnification this plate shows a tight "honeycomb" grid, uniform pressing of ink and a wide range of tone - all indicative of a high quality sheet fed gravure print.The watermark word "Finephoto" does not appear on the actual print. READY FOR FRAMING & DISPLAY! - The expensive engraved copper plate photogravure process and the resulting fine prints make vintage photogravures highly collectible and excellent vintage prints for framing.
Your vintage print will arrive ready to be placed directly into a standard size frame. Secure archival packaging includes water/tear resistant carrier, custom made 275 lb.
Triple wall inserts, individual acid free black archival backing boards, individual ultra clear heavy duty archival print protectors and a hand signed Certificate Of Authenticity (COA) from Finephoto. ABOUT PHOTOGRAVURE: Photogravure (or héliogravure) is an intaglio printmaking process utilizing a carefully etched copper plate made from the original negative/image. Prints are made by pressing suitable paper heavily down upon the inked copper plate which has been intricately etched to varying depths corresponding with the actual tonality of the original negative, This precisely etched plate combined with a fine "honeycomb" screen controls the amount of ink to be transferred to the paper at any given point in direct proportion to the variation of tone in the original image. The result is a true continuous tone print which combines many qualities of a traditional silver based photograph with a tactile feel similar to an etching, engraving or lithograph. Rich in tonal detail, the photogravure process produces delicately rendered shades for a look which is unique in the world of photographic print making.
In the early to mid 1900's photogravure was selected (when budgets allowed) for special high quality publishing and portfolio projects, but due to its significant expense and labor, the process is rarely seen today. From Man Ray and Ruth Bernhard to Brett Weston and Ansel Adams, many of the world's most renowned photographic masters have published their images in the rich photogravure process.
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